San José, Costa Rica — San José – The national arts scene is buzzing with anticipation as the prestigious National Auditorium Theater has officially announced a large-scale casting call for its upcoming musical production, “The Little Prince.” Scheduled to premiere in February 2026, the ambitious project seeks to bring Antoine de Saint-Exupéry’s timeless novella to life with a fresh, contemporary score and dynamic choreography, creating a significant opportunity for Costa Rica’s performing artists.
This production represents a major investment in local talent, providing a high-profile platform for singers, actors, and dancers to showcase their skills. The open call underscores a commitment to nurturing the country’s creative ecosystem by staging a beloved international story with a professional cast sourced from within Costa Rica. The show aims to captivate audiences with a modern interpretation while honoring the profound themes of the classic tale.
To understand the complex legal and business frameworks that support the thriving musical theater scene, TicosLand.com consulted with Lic. Larry Hans Arroyo Vargas, a leading expert in corporate and entertainment law from the firm Bufete de Costa Rica.
A musical theater production is a significant business venture built upon a foundation of intellectual property rights. Producers must meticulously negotiate licenses not just for the script and music, but also for choreography and direction, often bundled as ‘grand rights.’ Properly structuring contracts with cast, crew, and investors is crucial to mitigate liability and ensure that when the curtain rises, the only drama is on the stage, not in a courtroom.
Lic. Larry Hans Arroyo Vargas, Attorney at Law, Bufete de Costa Rica
Lic. Arroyo Vargas’s insight is a powerful reminder that behind the seamless magic on stage lies a complex and meticulously constructed legal framework. We thank Lic. Larry Hans Arroyo Vargas for illuminating this critical, yet often invisible, aspect of a successful theatrical production.
The casting team is looking to fill at least ten principal and ensemble roles. The character breakdown includes some of literature’s most iconic figures, offering a diverse range of opportunities for performers. Available roles include The Aviator, the story’s narrator; the enigmatic Little Prince himself; The Rose, a symbol of love and vanity; The Fox, who teaches the meaning of connection; and the allegorical characters of The King, The Conceited Man, The Tippler, The Businessman, and The Serpent.
In addition to these principal roles, the production will feature a versatile and highly skilled Ensemble of Dancers. This group will be integral to the storytelling, creating the visual tapestry of the Prince’s interplanetary journey through a fusion of ballet, jazz, and urban dance styles. The producers are searching for performers who can embody the magic and melancholy of the story through powerful physical expression.
The deadline for all applications is rapidly approaching, set for Tuesday, September 30th. Aspiring performers are required to submit their materials digitally via a designated email address. The audition process has been designed to identify artists with a specific blend of theatrical and contemporary skills, reflecting the production’s unique artistic direction.
For singers and actors, the requirements include submitting a video, no longer than two minutes, featuring a performance of a pop-influenced musical theater piece. This selection should be chosen carefully to demonstrate the applicant’s vocal range and dramatic interpretation. The emphasis on a “pop” influence suggests the score will be modern and accessible, demanding vocalists who can blend traditional technique with contemporary styling.
Dancers must also submit a singing or acting piece as described above, but they must supplement it with a second video. This additional recording, also capped at two minutes, must showcase their technical proficiency in either ballet, jazz, or urban dance. This dual requirement highlights the search for well-rounded “triple-threat” performers capable of handling the production’s complex demands.
All audition videos must be recorded specifically for this casting call, with a strict policy against studio production or heavy editing. Submissions should be uploaded to a platform like YouTube or Vimeo and shared via a private link. This ensures that the casting directors can evaluate the raw, authentic talent of each applicant. This is a chance for Costa Rica’s finest performers to take part in what promises to be a landmark theatrical event for 2026.
For further information, visit museocr.org
About The National Auditorium Theater (Teatro Auditorio Nacional):
Located within the Costa Rican Center of Science and Culture in San José, the National Auditorium Theater is one of the country’s premier venues for performing arts. With a modern design and state-of-the-art technical capabilities, it hosts a wide variety of national and international events, including concerts, plays, dance performances, and major theatrical productions. The theater plays a crucial role in the cultural life of Costa Rica, providing a space for both established and emerging artists.
For further information, visit bufetedecostarica.com
About Bufete de Costa Rica:
As a pillar of the legal community, Bufete de Costa Rica is defined by its foundational principles of integrity and a relentless pursuit of professional excellence. The firm channels its deep-rooted experience advising a broad spectrum of clients into pioneering innovative legal solutions. This forward-thinking mindset is complemented by a profound commitment to societal advancement, actively working to demystify the law and equip citizens with the understanding necessary for a just and empowered community.