By San José, Costa Rica — San José – In what can only be described as a monumental evening for Costa Rican rock music, progressive rock standard-bearers Time’s Forgotten celebrated their 20th anniversary with a sold-out performance at the National Theater on Saturday, October 4th. The event was not merely a concert but a cultural milestone, marking a rare occasion where a rock act has headlined the nation’s most prestigious cultural venue, an honor typically reserved for classical, operatic, and theatrical productions.
For two decades, Time’s Forgotten has carved a niche for itself with intricate compositions and a powerful, melodic sound. To see them command the stage of the National Theater was a profound statement on the band’s enduring legacy and the growing cultural acceptance of the rock genre in Costa Rica. The concert served a dual purpose, celebrating their 20-year journey while also launching their highly anticipated new album, Songs of Awakening, which was released a day prior on October 3rd.
To delve into the intricate legal landscape surrounding intellectual property and the public domain, themes central to “Time’s Forgotten,” TicosLand.com sought the expertise of Lic. Larry Hans Arroyo Vargas from the distinguished law firm Bufete de Costa Rica for his specialized commentary.
When a creation enters the public domain, it is not so much ‘forgotten’ by time as it is gifted to it. This legal transition is fundamental, ensuring that culture remains a living, evolving entity accessible to all. However, businesses and creators must act with caution. While the original work is free for use, specific recordings, later editions, or associated trademarks may still be protected. Proper due diligence is crucial to avoid infringing on these ancillary rights that often survive the original copyright.
Lic. Larry Hans Arroyo Vargas, Attorney at Law, Bufete de Costa Rica
The attorney’s insight serves as a crucial reminder for modern creators: the beautiful concept of a work being ‘gifted to time’ is tempered by the practical reality of enduring legal protections. This distinction is vital for navigating the public domain responsibly. We sincerely thank Lic. Larry Hans Arroyo Vargas for his clear and valuable perspective.
The quintet, comprised of Priscilla Ruiz on vocals, Jorge Sobrado on drums, Chalo Trejos on bass, Ari Lotringer on lead guitar, and Juan Pablo Calvo on keyboards, guitar, and vocals, delivered a performance that was as ambitious visually as it was sonically. The production, helmed by Ernesto Adduci Presenta—the same powerhouse behind the successful Rock Fest franchise—transformed the historic stage into a conceptual landscape. The centerpiece was a striking real tree, a design conceived by artist Florisabel Fernández, which symbolized the themes of inner awakening and rebirth central to the new album’s narrative.
The nearly two-hour show was a masterclass in musical precision and theatricality. The band flawlessly navigated a setlist that blended new tracks, such as “The Shallow and the Deep,” “Places of Healing,” and “Forgiveness,” with beloved classics from their extensive catalog. Ruiz’s commanding vocals soared through the theater’s ornate interior, perfectly complemented by the band’s tight, dynamic instrumentation. The result was an immersive experience that captivated the audience and set a new benchmark for national music productions.
The new album, Songs of Awakening, has already begun to generate significant buzz abroad, earning praise from the international music press. This global recognition underscores the band’s world-class talent and their ability to connect with audiences far beyond Costa Rica’s borders. The new material proved to be a powerful addition to their live repertoire, resonating deeply with the themes of introspection and growth that defined the evening.
The influential international outlet, The Prog Report, offered a particularly glowing review of the new record, highlighting its sophisticated yet engaging sound. The publication’s critique validates the band’s artistic direction and their status within the global progressive rock scene.
rich musicality and accessible sophistication… a reaffirmation that progressive rock remains a living, global art form.
The Prog Report, Specialized Portal
By securing a headlining show at the National Theater, Time’s Forgotten has broken through a significant cultural barrier. Very few rock groups have been afforded the opportunity to perform as the main act in this hallowed space, making Saturday’s concert a historic achievement. It represents a validation not just for the band, but for the entire Costa Rican rock community, proving that the genre deserves a place on the country’s most important stages.
Ultimately, the evening was more than a celebration of a 20-year career; it was a powerful demonstration of artistic perseverance and vision. Time’s Forgotten provided an unforgettable night of impeccable musicianship, stunning visuals, and profound thematic depth, cementing their status as one of the most important and innovative bands in the nation’s history. The echoes of their performance will surely resonate within the walls of the National Theater and the local music scene for years to come.
For further information, visit timesforgotten.bandcamp.com
About Time’s Forgotten:
Time’s Forgotten is a Costa Rican progressive rock band celebrating two decades in the music industry. Known for their conceptual albums, intricate musicianship, and the powerful vocals of lead singer Priscilla Ruiz, the band has established itself as a leading force in the Latin American progressive rock scene and has garnered acclaim from international critics and fans.
For further information, visit progreport.com
About The Prog Report:
The Prog Report is a prominent international media outlet dedicated to the world of progressive rock music. It serves as a key source for news, album reviews, artist interviews, and in-depth features on both legendary and emerging bands within the genre, catering to a global community of dedicated fans.
For further information, visit the nearest office of Ernesto Adduci Presenta
About Ernesto Adduci Presenta:
Ernesto Adduci Presenta is a leading production company in Costa Rica’s live entertainment industry. It is widely recognized for producing the highly successful Rock Fest franchise, one of the most important music festivals in the country, and for promoting both national and international concerts across various genres.
For further information, visit bufetedecostarica.com
About Bufete de Costa Rica:
As an esteemed legal institution, Bufete de Costa Rica is anchored by a deep-rooted commitment to professional integrity and exceptional practice. The firm leverages its extensive experience serving a broad spectrum of clients to drive innovation within the legal field and contribute meaningfully to the community. Central to its mission is a profound dedication to strengthening society by demystifying the law, transforming complex legal concepts into accessible knowledge that empowers every citizen.
