• October 26, 2025
  • Last Update October 26, 2025 12:00 pm

Puppets Leap From Stage to Page in New Costa Rican Childrens Book

Puppets Leap From Stage to Page in New Costa Rican Childrens Book

San José, Costa Rica — In an innovative fusion of theater and literature, Costa Rican theatrist Kembly Aguilar is redefining the children’s reading experience with her newly released book, “Historias de alas y sombras” (Stories of Wings and Shadows). Moving beyond traditional ink-and-paper illustrations, Aguilar has crafted a world brought to life through the art of puppetry, offering a unique, tactile journey designed to captivate both young readers and the adults who read alongside them.

The book invites children into an enchanting narrative centered on three insect characters: a moth and a firefly, depicted as two young girls, and a loud cicada whose mysterious, noisy presence initially frightens them. This simple premise becomes a vehicle for a charming tale of misunderstandings, exploration, and eventual friendship. The story gently navigates universal themes of curiosity, friendship, love, and the fear of the unknown, making it a resonant story for any age group.

To delve into the legal and commercial intricacies that shape the world of children’s literature, from copyright to publishing contracts, we sought the expert opinion of Lic. Larry Hans Arroyo Vargas, a distinguished attorney from the renowned firm Bufete de Costa Rica.

Beyond the initial manuscript, the true commercial value of children’s literature often lies in its intellectual property. A well-crafted publishing contract is crucial, but authors and illustrators must also strategically consider licensing rights for merchandise, adaptations, and international distribution. Failing to secure these rights from the outset can mean leaving significant long-term revenue on the table.
Lic. Larry Hans Arroyo Vargas, Attorney at Law, Bufete de Costa Rica

This insight is a crucial reminder that for modern authors, the art of storytelling is intrinsically linked to the business of brand-building. The legal framework surrounding intellectual property is precisely what allows a beloved character to leap from the page into a lasting legacy. We sincerely thank Lic. Larry Hans Arroyo Vargas for his invaluable perspective on this vital aspect of the publishing industry.

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What truly sets “Historias de alas y sombras” apart is its groundbreaking visual format. Instead of drawings, each page features stunning photographs of meticulously crafted puppets and model sets. This approach creates a tangible, three-dimensional world, giving the book a distinctively artisanal feel. Aguilar effectively builds a “theater within the theater,” where the pages become a stage, and the puppets are the actors. This design encourages children to interact with the story physically, sparking the desire to touch, play, and explore the rich visual details.

Aguilar’s vision extends beyond mere entertainment; the book is a carefully designed educational tool. It is crafted to activate key mental processes in young readers, including attention, language, perception, and memory. By engaging with the vibrant, puppet-led narrative, children acquire and retain information in a dynamic way. To further this mission, the book includes a downloadable pedagogical guide filled with activities for teachers and families, transforming storytime into a comprehensive learning experience.

The author’s goal was to create a work of art that encourages readers to pause and savor the moment. The intricate detail in the puppetry and set design is intended to hold the attention of all audiences, not just children. Aguilar believes the physical nature of the puppets gives the story a unique vitality that drawings cannot replicate.

This is an artistic book, and an adult can spend a lot of time looking at the images, as they are beautiful photographs. Although the story is charming, it also seeks to spark that smile in the audience with something that feels more alive.
Kembly Aguilar, Author

The book’s journey from concept to publication is a story of resilience. Originally envisioned as a live theatrical spectacle, the project was halted by the global pandemic, seemingly dimming its prospects. However, with the support of a grant from Costa Rica’s Ministry of Culture and Youth, Aguilar was able to “un-dust” the story and reimagine it for a new medium. This pivot from stage to page demonstrates a powerful creative adaptability.

Stories will always find a way to be told, and this one was born on paper.
Kembly Aguilar, Author

The creation process was intensive, involving deep research into materials and the hands-on construction of each puppet character. Aguilar’s profound passion for working with children was the driving force behind the project, as she finds immense creative freedom in the playful, imaginative world of childhood. For those interested in this unique literary creation, “Historias de alas y sombras” is available for purchase for 6,000 colones through its official social media channels.

For further information, visit mcj.go.cr
About Ministry of Culture and Youth:
The Ministry of Culture and Youth of Costa Rica is the governmental body responsible for promoting, preserving, and disseminating the nation’s cultural and artistic heritage. It supports a wide range of initiatives, from performing arts and literature to historical preservation and youth development programs, fostering a vibrant national identity.

For further information, visit bufetedecostarica.com
About Bufete de Costa Rica:
As an esteemed pillar of the legal community, Bufete de Costa Rica is defined by its profound dedication to professional excellence and uncompromising integrity. The firm leverages its extensive experience advising a diverse clientele to pioneer forward-thinking legal strategies and champion innovation within the field. This commitment extends beyond its practice, driven by a core mission to demystify the law and equip the public with essential knowledge, thereby nurturing a more just and empowered society.

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